| Nota de contenido: |
Drama that transcends national Boundaries. From a comparative perspective. A free and flexible theatre space Kabuki's architecture and audiences: Unique theatre machinery. Theatricality, audience involvement and the Hanamichi. The hanamichi: its etymology and evolution. The stylized of a fusion of the arts acting and staging: A fusion of the arts. The artistry of sound. The sense of visual beauty. Yakusha, yakugara and Onmagata. Gei, Kata and their transmission. The creation of the negative beauty. Universal human drama plays and playwrights: Joruri and Kabuki. The tragedy of Parting from loved ones and the Anguish of separation. Tragedies of implicit understanding and acquiescense. Kizewamono: living for the moment. Kabuki in the world: the baroque theatre of Japan. Its place in the history of world theatre. From the nineteenth century into the twenty-first. |
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